The Cokin Centre Spot Incolour 1 has a small hole, and is recommended for use with lenses from standard lenses to telephoto. The sharpness of the hole's edges depends on the aperture : the smaller the aperture, the sharper the edges of the hole. Filter...
The P061 Incolour 2 filter keeps the central subject sharp, and diffuses the surrounding area. The circular spot and neutral diffusion effect is stronger than the 060 filter.
Small Hole Filters are recommended for use with both standard lenses to tele lenses. Sharpness of the hole's edges will depend on the aperture: the smaller the aperture, the sharper hole's edges. This grey filter surrounds the central area with a grey...
Small Hole Filters are recommended for use with both standard lenses to tele lenses. Sharpness of the hole's edges will depend on the aperture: the smaller the aperture, the sharper hole's edges. This grey filter surrounds the central area with a grey...
The Cokin Centre Spot WA Incolour 1 has a large hole. The filter is best for use with wide-angle through to standard lenses. The smaller the aperture, the sharper the edges of the hole will be. Filter density 1. The Centre Spot Incolour 1 filter is available...
The Cokin Centre Spot WA Incolour 2 has a large hole. The filter is best for use with wide-angle through to standard lenses. The smaller the aperture, the sharper the edges of the hole will be. Filter density 2. The Centre Spot Incolour 2 filter is available...
The Cokin Centre Spot WA Incolour 2 has a large hole. The filter is best for use with wide-angle through to standard lenses. The smaller the aperture, the sharper the edges of the hole will be. Filter density 2. The Centre Spot Incolour 2 filter is available...
The Cokin Centre Spot WA Green has a large hole. The filter is best for use with wide-angle through to standard lenses. The smaller the aperture, the sharper the edges of the hole will be. The Centre Spot Green filter is available for use with standard...
The Cokin Diffuser Warm Colour filter controls bright lights, and surrounds your subjects with a soft and gentle atmosphere. The Warm Colour filter gives your pictures the orange tones that are beneficial to portraits and still-life work.
The Cokin Dreams 2 filter has small circular lenses which create a second image around an unaltered central image. The second image appears more or less as a distinct halo, depending on the focal length, the aperture, and the background. The Dreams 2...
The Cokin P093 Dreams 3 Filter features small circular lenses which create a second image around an unaltered central image. This second image appears more or less as a distinct halo, depending on the focal length, the aperture, and the background.
The Cokin Close Up +1 filter is an optical magnifying lenses to get close-up photographs without a "Macro" position on your lens. The Close Up +1 filter has a dioptry of +1.
The Cokin Close Up +2 filter is an optical magnifying lenses to get close-up photographs without a "Macro" position on your lens. The Close Up +2 filter has a dioptry of +2.
This Cokin filter acts as an optical magnifying lenses, allowing you to take close-up photographs without use of a dedicated macro lens. +3 Dioptries in power.
This Gradual Neutral Grey reduces the total amount of light reaching the film without affecting the colour balance. It restores the balance between the main subject and the foreground/background.
This Gradual Neutral Grey reduces the total amount of light reaching the film, but without affecting the colour balance. It restores the balance between the main subject and the foreground/background.
The Cokin P121L is a very light gradual filter, with the same colour but lighter tone than standard 121. The P121L Gradual Grey reduces the total amount of light reaching the sensor without affecting the colour balance. It restores the balance between...
The Cokin P1215 filter has a progressive graduation from the middle to the top of the filter, with the same colour as tone the 121 filter.
Progressive graduation from the bottom to the top of the filter, same colour & tone than 121. According to the classic rules of landscape layout, the sky occupies 3/5 of the space above the line of horizon, whether real or imaginary. In photography, this...
By enhancing the blue of the sky, the Cokin P122 filter underlines the colours of landscapes. When used up-side down, it intensifies the white sparkle of breaking waves. 122 is colour 1.
By enhancing the blue of the sky, this Cokin filter underlines the colours of landscapes. When used up-side down, it intensifies the white sparkle of breaking waves. Filter 123 is colour 2.
This sky blue graduated filter allows the addition of colour to otherwise grey or colourless skies, and also can be used in seascapes to make wavecaps appear brighter.
Progressive graduation from the middle to the top of the filter, with the same colour and tone as the Cokin 123 filter.
The Sky blue filter gives an enhanced blue colour to otherwise dull skies. They are also well suited for sea photography where they intensify the white sparkle of breaking waves. This filter reduces the light by 3 stops.
By bringing an un-natural tobacco colour to the sky, this filter underlines the dramatic effect of a landscape. When used upside-down, it can intensify the sands of the beach. 124 is colour 1.
By bringing an un-natural tobacco colour to the sky, this filter underlines the dramatic effect of a landscape. When used upside-down, it can intensify the sands of the beach. 125 is colour 2.
The Cokin P125L is a very light gradual filter, with the same colour but lighter tone than the Cokin 125 standard filter.
This filter features a progressive graduation from the middle to the top of the filter, with the same colour and tone as the Cokin 125 filter.