The D5 studio monitors also have pro features such as balanced XLR and balanced/unbalanced TRS inputs as well as a boundary selection switch to select the appropriate monitor response for their placement (in a corner, in front of a wall, free standing). No plastic front baffle here. The D5 features an all wood cabinet, including a wood front baffle for optimum performance. No simple air releasing cutout on the front baffle or cut-out hole in the back. The D5 features a fully extended 1.75" perfectly tuned front port, providing superior and accurate extended low-end response. And because the port is on the front baffle, the D5's can be positioned close to a wall with no fear of the low-end being choked. The coaxial transducer design of the nearfield speaker combined with a steep 4th order crossover delivers a detailed mid-range that allows for clarity in that complex 900Hz - 3 kHz range. Guitars, voices, strings, horns, & reverb trails are very clearly and accurately portrayed and any mid-range anomalies in the source material can be easily determined and addressed. Because of our matched transducer output, mid-range mix elements can be positioned in the stereo field without the fear of being misplaced. The D5's are optimally pre-set and voiced for ideal instrument translation. Like the Q Series, the D5 features our Zero-Point Reference custom designed coaxial Digitally-Controlled Transducers along with internal DSP to provide a matched output curve for every unit. This allows for accurate no-shift imaging. The DSP allowed pin-point accurate adjusting during the voicing process. The voicing was aided by award-winning recording engineers that referenced their hit mixes for voicing considerations. The final D5 pre-set voicing curve is optimal for mid-range detail. With high-quality components, internal DSP, 100w of power, and 103 dB of SPL, the D5s deliver a huge bang for little buck.
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